Advanced Search

Journal Navigation

Journal Home

Subscriptions

Archive

Contact Us

Table of Contents

Sign In to gain access to subscriptions and/or personal tools.
Television & New Media
This Article
Right arrow Full Text (PDF)
Right arrow All Versions of this Article:
1527476409340906v1
10/6/521    most recent
Right arrow References
Right arrow Alert me when this article is cited
Right arrow Alert me if a correction is posted
Services
Right arrow Email this article to a friend
Right arrow Similar articles in this journal
Right arrow Alert me to new issues of the journal
Right arrow Add to Saved Citations
Right arrow Download to citation manager
Right arrowRequest Permissions
Right arrow Request Reprints
Right arrow Add to My Marked Citations
Citing Articles
Right arrow Citing Articles via Scopus
Google Scholar
Right arrow Articles by Esposito, J.
Social Bookmarking
 Add to CiteULike   Add to Complore   Add to Connotea   Add to Del.icio.us   Add to Digg   Add to Reddit   Add to Technorati   Add to Twitter  
What's this?

What Does Race Have to Do with Ugly Betty?

An Analysis of Privilege and Postracial(?) Representations on a Television Sitcom

Jennifer Esposito

Georgia State University, Atlanta

This article examines ABC’s television comedy Ugly Betty, in particular one episode that explores race-based affirmative action decisions and quotas, to argue that race and racial categories are ever more present in our society and that they need to be. Asserting how and in what ways race "matters" is important in a social and political climate that often suggests race dare not speak its name. Circulating within sociology and education discourse is the notion of a "color-blind society" (meaning that we no longer see color or that the color of one’s skin will not determine his or her life chances). This idea has been has been recently redefined by the media as "postracial" (meaning that we have moved beyond race and that race no longer structures our thinking or our actions). Either discourse silences talk of racial privilege and disadvantage. As a discursive racial project, the Ugly Betty text helps reify notions of race and difference.

Key Words: television • race • Latina/o • affirmative action • racial project • gender

This version was published on November 1, 2009

Television & New Media, Vol. 10, No. 6, 521-535 (2009)
DOI: 10.1177/1527476409340906


Add to CiteULike CiteULike   Add to Complore Complore   Add to Connotea Connotea   Add to Del.icio.us Del.icio.us   Add to Digg Digg   Add to Reddit Reddit   Add to Technorati Technorati   Add to Twitter Twitter    What's this?